Sheldon Vol2 PINK

T e S e C H l i k f i s c s b w e  i t e  I ’s a t a ‚ƒ t o a…i a h‡s d ‰ t u a v u w‡ aŒ Ž d w sec t Dood H ’s t s o u h i w ‚ ‘ L ‡ S“‡e ‡ ” d • e ––— T e S e a˜ s n ‡n” a š t • y œ v‡s‡t‡n” EŸ a c h lƒ a s c ‡n” m ‡ a c ˜ š t b ‡ a a…‡c h l t a c p £e… s w‡ o t e n ¤ f e…¥… aš ‡˜‡…¦i — sp sp sig d O¨C©ª«¬®¯ B¯±C²N´ A natural shell at the back of the stage reflects sound to the musicians on stage and projects it into the Concert Hall. Non-parallel walls in the Concert Hall and many curved features in the décor focus and project sound throughout the Hall. There are no 90-degree angles! The walls are made of a type of plaster common in 1912 that contains more air than modern plaster. Pine wood paneling behind the stage and throughout the Hall reflect sound, augmented by slate rock behind the paneling to reflect higher frequencies. An open area under the stage and extending under the audience creates a resonance area to transmit lower frequencies. The over-100-year-old pile of dirt at ground level provides a “softer landing” for the sounds. We lovingly call this open space “The Cave.” TµE ¶·¸¹ TµE «º¯»ª Y²½ N¾ AR¶©Áº¹C¬ ²UI« «ÄŹRÅN¾ D Bž AÇÈŬŲÉÊ AËÌ · MINÌ ºµ¯¬ η« ʲ ÁËÉOÏA¬I V¹ H¯ I Ç , T µ ¹ « ² Ò Ë Ì C O Ò ± Ó Ë ² T Ô ½ S ¬ È ¹ « Å Ç Ä Â ´ C L E¯¨ T² µ OÕ ¬Î² Ö¹¯®S O× ¨¹Êª¯¨C© ÅÉ EÒ¨²ØE ¬² عRFªC¬ ź– I¬ ¬² B¹±IªÏ¹ U« WH¹É Û¹ «·´Ü I T‘ N̹ªÓ Wµ·¬ µ¹ ʹº ²½¬ T² DÝÞ Hª ¯È«²±UT¹LY DIÓ I F O L D P A P E R A L O N G B L U E L I N E , T H E N C O N N E C T A A N D B T O R E V E A L T H E S E C R E T T O E X P E R I E N C I N G P E R F E C T S O U N D Dood F¹·ºURÁ˾ TµE تR׹ߺ A¶²½S¬Iß« IJÝDª T e S e i k f “p ˜… a…‡c ” b w ’s t e s t o s c s  I ’s a t a ‚ƒ t o a…i a h‡s d ‰ t u a c h l w‡ c š Ž d w H ’s w g ƒ i ¦o m ‚¥ ” Tã S e ’s a… L ‡ S“‡e d • e ––— T e S e a˜ a š t • y œ v‡s‡t‡n” EŸ a c h lƒ s c ‡ a c ˜ š t c  o h‡s p t c ¦e a a… p ˜… s ‡ ¤ f s a‚ a m ‡c‡a a ‡‚ sp sp sig d O¨C©ª«¬®¯ B¯±C²N´ A natural shell at the back of the stage reflects sound to the musicians on stage and projects it into the Concert Hall. Non-par Concert curved focus an through are no 9 Pine wood paneling behind the stage and throughout the Hall reflect sound, augmented by slate rock behind the paneling to reflect higher frequencies. An open area under the st ge and extending under the audie cre tes resonance area to transmit lower frequencies. The over 100-year-old pile of dirt at ground level provides a “softer landing” for the sounds. We lovingly call this open space “The Cave.” TµE ¶·¸¹ TµE «©¹LDÝN C²ÉC¹Rº ©·Â± Y²½ N¾ AR¶©Áº¹C¬ ²UI« «ÄŹRÅN¾ D Bž AÇÈÅ¬Å²É AËÌ · MINÌ ºµ¯¬ η H¯ I Ç , T µ ¹ « ² Ò Ë Ì C O Ò ± Ó Ë ² T Ô ½ S ¬ T² µ OÕ ¬Î² Ö¹¯®S O× ¨¹Êª¯¨C© ÅÉ EÒ¨²ØE ¬² I¬ ¬² B¹±IªÏ¹ U« WH¹É Û¹ «·´Ü I N̹ªÓ Wµ·¬ µ¹ ʹº ²½¬ T² DÝÞ Hª ¯È F O L D P A P E R A L O N G L I N S T O R E V E A L T H E S E C R E T T O E X P E R I E D A¶ T e S e f “p b w ’s t t o s c I ’s a ‚ t a a i  a u a c w c ‹ H ‰ ’ L a ‹ Pine wood pane behind the stage throughout the H reflect sound, au by slate rock beh paneling to refle higher frequenci An open area und extending u d resonance area t frequencies. The of dirt a ground landing” for the this open space “ NÀ AR¶©Â¾¹ D BÅÀ AÆÇÅ I Æ , T µ ¹ OÔ ¬Ì Õ¹¯ U« WH¹¼ Ú NʹªÑ Wµ· F O L D P A P E R A L O 12