Sheldon Vol2 PINK

c s n n m c h l llel walls in the all and many atures in the décor project sound t the Hall. There -degree angles! The walls are made of a type of plaster common in 1912 that contains more air than modern plaster. Ê² ÁËÉOÏA¬I ¹ « Å Ç Ä Â ´ C L Ø¹RFªC¬ Åº ²±UT¹LY DIÓ I C I N G P E R F E C T S O U N D od ¹·ºURÁË¾ µE ØªR×¹ßº ½S¬Iß« Ä²ÝDÂª k a c ” e s s t o h s d t h l rfect. w g i o m T S e ’s a c S e d e T e S e a s n n t y v s t n E£ a c h l s c n m c t c ¤ o h s p t c e a a c h l p ¤ s ¥ f s a a m c a a sp sp sig d O§C©ª«¬®¯ B¯±C²N´ A natural shell at the back of the stage reflects sound to the musicians on stage and projects it into the Concert Hall. Non-parallel walls in the Concert Hall and many curved features in the décor focus and project sound throughout the Hall. There are no 90-degree angles! The walls are made of a type of plaster common in 1912 that contains more air than modern plaster. ng nd ll ented nd the . r the stage and e audience creates a transmit low r ve 100-year-old pile evel provides a “softer unds. We lovingly call he Cave.” TµE ¶·¸¹ TµE «©¹LD»N C²¼C¹R¾ ©·¿± ¿²UI« «ÄÅ¹RÅNÀ Å²¼È A Ê · MINÊ ¾µ¯¬ Ì·« È² ÂÉ¼OÍA¬I V¹ ² Ð É Ê C O Ð ± Ñ É ² T Ò Ó S ¬ Ç ¹ « Å Æ Ä ¿ ´ C L E¯§ OÖ §¹Èª¯§C© Å¼ EÐ§²×E ¬² ×¹RFªC¬ Å¾ «·´Û TÜ µ¹ È¹¾ ²Ó¬ T² D»Ý Hª ¯Ç«²±UT¹LY DIÑ I G L I N E S T O R E V E A L T H E S E C R E T T O E X P E R I E N C I N G P E R F E C T S O U N D Dood F¹·¾URÂÉÀ TµE ×ªRÖ¹ß¾ A¶²ÓS¬Iß« Ä²»D¿ª I n s p i r a t i o n . H o w d o y o u c o n j u r e i t ? W h a t c o l o r i s i t ? D o e s i t c o m e f r o m . . . a l i e n s ? T o g e t t o t h e b o t t o m , t o p , l e f t a n d r i g h t s i d e o f t h e m a t t e r , V O L U M E a s k e d s o m e o f o u r f a v o r i t e S t . L o u i s - b a s e d a r t i s t s a n d m u s i c i a n s : There is so much in St. Louis in â music community. Seeiã so many new artists expand âir brands musicay, sociay and coaboratively is giviã me inspiration. It’s very motivational! -Larry “Faout” Morris, frontman, iLLPHONiCS I’m inspired é our warm and welcomiã musical here in St. Louis. Musicians, presenters, arts organizations, and of course suëorters and patrons of â arts—we’re a workiã togeâr, and I’m definitely feeliã a “risiã tide lifts a ships” eíos here! -Janet Evra, bassist/vocalist I’m listeniã to “Neuromancer” é Wiiam Gibson for â first time and “Mariana Trench” é Bright Eyes for â time. I’m watchiã “Severance” and rewatchiã “Seinfeld.” I’m lookiã at historical pictures of Mano Pantea and drawn accounts of alien sightiãs. The current tabs on my browser include topics on bakiã, misceaneous materials, Van Neistat videos, a new Pablo Helguera essay, a Charles Spurgeon poem and an aëlication for a remote residency. -Tate Foley, visual artist and Associate Professor of Art at Webster University What is inspiriã me is what has always inspired me for â past 29 years, and íat is my now-adult children. They have always been my motivation and . Beiã a siãle moâr, I have seen some chaeãiã days, but I have always put God first and my children first and íat is â wind beneaí my wiãs! -Denise Thimes, jazz vocalist I find situations íat remind me of my own insignificance to be inspiriã, such as â seemiãly horizon of an ocean or large lake, or â way â sky chaães at dawn and dusk. -Sarah Frost, visual artist Some i at’s inspiri me in recent times is taki a li le dive into my past life as a kid. I just worked on an event wi Norbert Leo Butz, an actor and musician I’ve been a fan of since I was 17 years old. I not only learned some of his beautiful originals, but also a couple of fun atrical covers. I’m so excited, inspired and overjoyed to be a musician right now. O oi is my inspiration. Last summer’s solo show at Principia Co ge’s James K. Schmidt Gaery, “As Above So Below,” occasioned several coaborations, wi curator, Penelope Schmidt; wi wood and metal sculptor San Barne ; and wi choreographer and performance artist Janet Park. Currently for me, comi out of creative depression of beginni years of pandemic has been my drivi force. I ink it’s at normalcy sat firmly beside a renewed focus on natural world around me and simple x of quiet, calm moments at have been movi my brushes and pens. W h ’ s i n s y o u g h t w ? -Devon Cahi, siãer-soãwriter -Sun Smií-Foret, studio artist *In 150 years, the extraterrestrial who finds this magazine in an intergalactic estate sale will recognize your ancient writings as rare and priceless! YOUR TURN! Inspiration (in âir own words) -Ben Pierce, visual artist gy ion t beau co abo on ins on music e infi cou 13 VOLUME Art that Takes Up Space